Mr. Waffle and I went to see “Dr. Strangelove” at the Bord Gáis Energy Theatre. It’s where all the big shows that come to Dublin go. I find it unsatisfactory as a theatre as it is ginormous and a bit lacking in atmosphere. The sets were amazing but the play only alright. I don’t mind Steve Coogan but I don’t love, love, love him. However, the rest of the audience were apparently only there to see him and when he appeared on stage he had to break character to acknowledge the rapturous applause. I only went because Armando Ianucci was involved and I love him and had heard him interviewed about the play on “This American Life”. Honestly, I wouldn’t say it was his best work but I may have been prejudiced by the fact that everyone else found it hilarious and it only occasionally made me smile. I thought the woman beside me was going to have to be stretchered out such was her hilarity while I smiled thinly at the very odd joke that appealed.
Michael went to see “And Juliet” which was recommended by a commenter. His friend got tickets for her birthday and invited him along. He found it reasonably enjoyable. I am coming to the conclusion that my family may be hard to please.
I took a half day from work to see Michael in a lunchtime performance of a college play. It is doubtless his mother’s prejudice but I thought he was really excellent.
Mr. Waffle and I investigated an Argentinian Bakery in the Liberties. It is called Bakeology and I would recommend. Our empanada needs are met for the foreseeable.
There has been plenty of cinema in my life since I was here last. I enjoyed “A Real Pain” as did the Oscar voters. “Bridget Jones” did not trouble the Oscars but I must say I really enjoyed it. A friend and I went for dinner after work and then saw it in the Stella in Rathmines which I would recommend for a little treat.
Mr. Waffle and I went to see another Iranian film – “Seed of the Sacred Fig”. You would want to be in the whole of your health for these Iranian films, I will say that. Very worthy and good and all but I was a bit wrung by the end.
As part of the festival of the Francophonie we went to a Moroccan film (and international buffet – can I deny that this was the major temptation? I can not). The film was “Animalia” and it’s about a girl who marries into a rich family and struggles to adapt; she stays at home one day while they are all out and – plot twist – gets cut off from the family by an alien invasion. The budget doesn’t really stretch to aliens so it’s just lights in the sky and fog. It was ok, I would say. Buffet was great – lots of Moroccan specialties. We met the Moroccan ambassador (who had introduced the film) having a cigarette outside afterwards. “What did you think?” he asked. “It was delicious,” said Mr. Waffle. “No, the film,” I hissed. “Um, very thought provoking,” he said politely. “It was a bit strange alright,” said the ambassador “and what a time to screen it early evening during Ramadan.” Not something that had occurred to me, I must confess, but it certainly made me think that he had performed his part admirably for someone who hadn’t had anything to eat or drink since before dawn.
I saw Edmund de Waal give a talk in the Chester Beatty library. I found him an amazing, fascinating, heart warming speaker. If you ever get a chance you should definitely go and see him. This was all the more amazing as it was online (only the elect got in person tickets and I was consumed with envy as he passed around netsuke for people to hold) and online things are, as we all know, not as good as in person, and it was still absolutely amazing.
I went to a talk on the Flying Dutchman in art which appeared to be largely a plug for the Flying Dutchman which the Irish National Opera are running in the Bord Gáis theatre. My guess is that they may have overestimated the appetite of the Irish public for opera (it’s a big, big venue) but who knows? I once saw “Die Meistersinger von Nürnberg” from the gods of the Brussels opera house and it has effectively extinguished any desire I might have to ever see another Wagner opera so it’s a no from me. I was chatting to the INO people afterwards and told them how the Princess had done a project with them during Covid and it had saved her sanity. Like many another thing the Princess does, her application to take part in this project took her parents by surprise as we are not particularly in opera and she had certainly never seemed interested before but then she is a constant series of surprises to her parents.* This lovely woman Sharon Carty put in loads of time online one on one with her and she has an abiding enthusiasm for and interest in opera. So, it’s not like I’m not grateful to the INO, just not grateful enough.
I also went to a talk on Mazzolino and the renaissance in Ferrara. I mean, alright. Can’t say that I now love Mazzolino of whom I was entirely ignorant previously but interesting enough. I went to a talk on Sarah Cecilia Harrison whose portraits I really liked and who seems, in life, to have been a very interesting and extremely contrary person. Finally, in visual arts news did I mention that I went to a talk on Eileen Gray? I will say this, the more I hear about Le Corbusier the less I like him. While I was there I had a look at the Harry Clarke stained glass which is temporarily in Dublin as Cork’s Crawford museum is closed for renovations. It was strange to see these old friends in new surroundings. I think the detail below is a self-portrait of the artist. A handsome man whose private life was, I believe, complex.
Let me throw in some more pictures of his glass from Bewley’s cafe in Grafton street. Because I can.
As I mentioned above, the Crawford Gallery is closed for renovations. Alas, alack. It’s not open again until 2027. It is being extended. Here is the text about the extension.
Here is the artist’s impression of the extension.
Really, the glass box on the roof will ensure that the character of the gallery is “maintained and enhanced with great sensitivity”? It’s appalling. I mean, I feel you King Charles. I’m sure it will be lovely from the inside but it’s quite dreadful from the outside.
My sister is still cleaning out my parents’ house and I am generally pretty ruthless about saying I don’t want things but books are my Achilles heel. My grandmother bought a large mahogany book case and its contents from Canon Mulcahy in Kilmallock at some point – maybe in the 40s. The bookcase and all its contents made their way to my parents’ house probably in about 1970. This means that my parents’ house had a fine collection of 19th and early 20th century books with a strong focus on theology, if that was your thing, but also other books: Thom’s directories, etiquette books, (worthy) novels etc. My sister pulled from this range of books a physics primer from 1874 and asked whether I would like it. Well, as you can imagine, I should have said no but we have a physics student in the house and I was weak and said yes. I showed it to my physics student who said a lot has changed in physics since 1874 but whose eye was caught by the name on the flyleaf. We found our man – JJ Joyce – in the census. He was a Jeremiah Joyce son of James W Joyce who was a successful businessman in Kilmallock and who was very active in the land league. Kilmallock (which has a great deal of local history for such a small place) has an active local history society and we were able to find out much more about James W. He was gaoled for his activities in the land league and kept a diary – it mostly seems a bit dull about managing his business back in Kilmallock – but look, look at this entry, what did he get sent to himself in Limerick gaol? Yes indeed, the physics primer which we now held in our little paws.
So that was pretty cool. I rang my sister to tell her and she thought I had discovered that the book was valuable. Alas, no. But still, my physics student brought it in to college where it was an object of fascination to the young people. One of them had an uncle in Kilmallock so he got to keep it. This seems a much better fate for it than any other I can imagine although I do wish I’d taken a photo.
Yesterday Mr. Waffle and I went on a nearly 3 hour walking tour of the city – v good, I recommend Arran Henderson for all your walking tour needs; I always learn something new and I have lived here a long time. As we were looking at a Dominican church he said how intellectual and clever the Dominicans were. As though reading the minds of his audience, he said, “Have you heard the joke about the Dominicans and the Jesuits? As you know the Dominicans dealt with the Cathars and the Albigensian heresy and the Jesuits were set up as a counter reformation force. Have you ever met a Cathar?” The poor old Cathars. As we walked on Mr. Waffle murmured to me, “Just brute force, no subtlety or intelligence.”
In the afternoon, we went to a talk by fantastic author Jan Carson who I nearly saw in 2022 and have been keen to see since. The French literature festival put together an excellent programme – all free, you’ve got to love the French – and who was on it? No prizes. The links to French literature were a bit tenuous, I mean Jan Carson’s French publisher was there? I think Jan Carson is an extraordinarily talented writer and I loath magical realism which, honestly, is a big feature of her work but somehow it’s ok when she does it. But, you know, being a great writer does not necessarily translate to being a great speaker so I wasn’t quite sure what to expect. As they say, I need not have worried.
I found her really interesting. She comes from a very strict religious background. She’s from Ballymena in the North and when she was a little girl there was a sign on the roundabout saying “Ballymena still says no” and she thought it meant to line dancing as she had heard so much against it from the pulpit. Her family seem to have been very strict: no cinema, no theatre and the Bible as, if not the only book, certainly the main book available for reading at home. She attributes her interest in magical realism to hearing sermons on the Book of Revelation every Sunday between ages 10 and 12. When asked about her family and community’s attitude to her work she said that that was the first question she was always asked. She told a very moving story about a children’s play which she wrote which is currently on in the Lyric theatre in Belfast. Her mother a woman of 70 who had never been inside a theatre before, came to see it and sat and cried throughout the show. The mother said, “All these people are here, and they’re enjoying themselves and you wrote this.”
After this very touching reply, the next question came from an older gent with a booming voice and apparently unshakeable self-confidence. “Which lady writers have influenced you?” he said. “Do you like Simone de Beauvoir?” There was some hilarious confusion as she had just not heard the word “lady” and thought he meant French writers but the interviewer clarified. “I like Flannery O’Connor,” Jan Carson offered helpfully. “Is he an American?” our patrician gentleman boomed back slightly disapprovingly. He seemed not one whit discomfited by the information that Flannery O’Connor was a woman and it was poor old Jan Carson who seemed momentarily discombobulated.
Anyway recommended and not as well attended as it should have been. A win for me I guess as I got her to sign a book for me and there was almost no queue. She mentioned that she has another new book out next year. Bound to be worth a read.
Any cultural outings of your own?
*Text received last Monday: “I’m on a plane on my way to Warsaw. Did I mention I was doing this???” Reader, she did not.
